About this work
The Fandanguillo was one of the many products of the emergence of Andrés Segovia as a guitar virtuoso. In the 1920s, early in his career, Segovia asked Joaquín Turina to compose some solo guitar works for him. In 1926, Turina produced the Fandanguillo, which he said was derived in part from some of the traditional music of his homeland. The rhythmic qualities of flamenco music are never far away in this work, and the zapateado -- the percussive sounds produced by the heels of a dancer's shoes hitting the floor -- are called to mind in the percussive sounds drawn from the the guitar strings. This short work is for the most part an extroverted one, with a more mellow central section providing contrast. A run of harmonics toward the end of the piece leads into its quiet chordal ending.