Kent Nagano is renowned for interpretations of clarity, elegance and intelligence. He is equally at home in music of theclassical, romantic and contemporary eras, introducing concert and opera audiences throughout the world to new and rediscovered music and offering fresh insights into established repertoire. Since September 2006 he has been Music Director of Orchestre symphonique de Montréal and became Artistic Advisor and Principal Guest Conductor of Gothenburg Symphony in 2013. In 2015 he will take up the position of General Music Director of the Hamburg State Opera and Philharmonic Orchestra.
At the Bayerische Staatsoper, where he was General Music Director from 2006 – 2013, he commissioned new operas from Jörg Widmann Babylon, Wolfgang Rihm Das Gehege and Unsuk Chin Alice in Wonderland and new productions there have includedMussorgsky’s Boris Godunov and Khovanshchina, Idomeneo, Eugene Onegin, Ariadne auf Naxos, Die Schweigsame Frau, Les Dialogues des Carmélites, St François d’Assise, Wozzeck, George Benjamin’s Written on Skin and Der Ring des Nibelungen. With the Bayerisches Staatsorchester Nagano has toured throughout Europe and in Japan and together they have recordedBruckner Symphonies No. 4, 7 and 8.
In September 2011, Kent Nagano and the Orchestre symphonique de Montréal inaugurated their new concert hall La Maison Symphonique. Highlights with the orchestra include the complete cycles ofBeethoven and Mahler symphonies, Schoenberg’s Gurrelieder, concert versions of Wagner’s Tannhäuser, Tristan und Isolde, Das Rheingold, Honegger’s Jeanne d’Arc au Bûcher, Messiaen’s Saint François d’Assise, and concert series featuring the works of Dutilleux (2010-2011) and Boulez (2011-2012). Nagano has taken the orchestra on a coast-to-coast tour of Canada and also to Japan, South Korea, Europe and South America. Their recordings together include the Juno award winning album “Ideals of the French Revolution” with Beethoven’s Symphony No. 5, Mahler’s Das Lied von der Erde and Beethoven’s Piano Concertos Nos. 4 & 5, as part of a recording of all the Symphonies by Beethoven. The Symphonies No. 3, 6, 8 & 9 have also been released by Sony Classical/Analekta.
As a much sought after guest conductor, Nagano has worked with most of the world’s finest orchestras including the Vienna, Berlin andNew York Philharmonics , Chicago Symphony, Dresden Staatskapelle and Leipzig Gewandhaus. He has an ongoing relationship with Sony Classical and has also recorded for Erato, Teldec,PENTATONE and Deutsche Grammophon as well as Harmonia Mundi, winning Grammy awards for his recordings of Busoni’s Doktor Faust with Opéra National de Lyon,Peter and the Wolf with the Russian National Orchestra and Saariaho’s L’amour de Loin with the Deutsches Symphonieorchester Berlin.
A very important period in Nagano’s career was his time as Artistic Director and Chief Conductor of the Deutsches Symphonie-Orchester Berlin, from 2000-2006. He performed Schönberg’s Moses und Aron with the orchestra (in collaboration with Los Angeles Opera), and took them to the Salzburg Festival to perform both Zemlinsky’s Der König Kandaules and Schreker’s Die Gezeichneten, as well as to the Festspielhaus Baden-Baden with Parsifal and Lohengrin in productions by Nikolaus Lehnhoff. Recordings with the Deutsches Symphonie-Orchester Berlin for Harmonia Mundi include repertoire as diverse as Bernstein’s Mass, Bruckner’s Symphonies Nos. 3 & 6, Beethoven’s Christus am Ölberge, Wolf Lieder,Mahler’s Symphony No. 8 and Schönberg’s Die Jakobsleiter and Friede auf Erden, as well asBrahms’s Symphony No. 4 and Schönberg’s Variationen für Orchester Op. 31. In June 2006, at the end of his tenure with the orchestra, Kent Nagano was given the title Honorary Conductor by members of the orchestra, only the second recipient of this honour in their 60-year history.
Born in California, Nagano maintains close connections with his home state and was Music Director of the Berkeley Symphony Orchestra from 1978-2008. His early professional years were spent in Boston, working in the opera house and as assistant conductor to Seiji Ozawa at the Boston Symphony Orchestra. He played a key role in the world premiere of Messiaen’s opera Saint François d’Assise at the request of the composer, who became a mentor and bequeathed his piano to the conductor. Nagano’s success in America led to European appointments: Music Director of Opéra National de Lyon (1988-1998) and Music Director of the Hallé Orchestra (1991-2000).
Photo (top image) courtesy of Wilfried Hosl Photo (left image) courtesy of Felix Broede