English Baroque Soloists

English Baroque Soloists

Baroque Chamber Orchestra

• Founded 1978

Editor's Choice

Published a century after his death, the set of six Concerti Grossi that comprise Bach's Brandenburg Concertos show the composer at his prodigally inventive and sublimely accomplished best, serving up a veritable feast of entrancing melody, vivid colour and instrumental virtuosity. It's hard to imagine them being more sympathetically performed than here. Set down in London and Paris in 2009, this is a relatively recent offering from the English Baroque Soloists, a period-instrument group founded in 1978 by John Eliot Gardiner. Gardiner takes somewhat of a back seat here, leaving the musicians to self-direct four of the six works. A genuine tonic it is: not only does the playing combine vitality, grace and precision (there are star turns from the ensembles regular cohort, not least leader Katie Debretzeni) but Gardiner masterminds proceedings with unforced freshness, personable warmth and winning flair.


Although the English Baroque Soloists was officially established as a chamber ensemble of period instruments in 1978, the group actually gave its first concert at the 1977 Innsbruck Festival of Early Music, in a performance of Handel's Acis and Galatea. Founded by John Eliot Gardiner, the group regularly performs throughout England and Europe. It has given a number of concerts in two London halls, the Barbican and St. John's Smith Square. The English Baroque Soloists drew many of their original members from another group Gardiner had founded (in 1968), the Monteverdi Orchestra.

Shortly after their founding, Bach and Handel were largely the focus of the EBS. However, the EBS became closely associated with Mozart's music, mainly because of its numerous, generally highly acclaimed recordings of his works. In 1984, Gardiner and the EBS launched a series for the label Archiv Produktion devoted to Mozart's concertos for piano and orchestra with soloist Malcolm Bilson (using a fortepiano) and the first such cycle using period instruments. Two years later, with the concerto series ongoing, they launched another Mozart project, this one to cover the mature symphonies for Philips. In summer 1990, the EBS debuted at the Salzburg Festival, giving three concerts, all to critical acclaim. The group has since returned numerous times and has also subsequently toured Vienna and Innsbruck. With the release in 1990 of Piano Concerto No. 24, K. 491, and No. 27, K. 595, the piano concerto series was completed, but the EBS and Gardiner immediately set to work recording the seven mature operas of Mozart for Archiv Produktion. The first release in this cycle, Idomeneo, won Gramophone's Best Opera Award in 1991. In that same year. Gardiner, the EBS, and the Monteverdi Choir appeared in a live BBC television broadcast of Mozart's Requiem performed at the Palau de la Música Catalana. The last issue in the Gardiner/EBS Mozart operas series, Die Zauberflöte, was released in 1996, after which they turned to the music of Bach.

In the late 1990s, a new series of recordings began with the release in 2000 of Bach's Cantatas No. 6 "Bleib bei uns, denn es will Abend" (BWV 6) and No. 66, "Erfreut euch, ihr Herzen" (BWV 66). Along with the Monteverdi Choir, Gardiner and the EBS performed the entire cycle of 198 Bach cantatas throughout various European churches in 2000. But the EBS was hardly focusing on only Mozart or Bach in the 1990s: its performance at Covent Garden in 1995 of Haydn's Die Schöpfung (The Creation) was enthusiastically received and led to a successful 1997 recording on Archiv Produktion. Also in 1995, the EBS and the Monteverdi Choir performed the music for the film England, My England, a highly acclaimed movie directed by Tony Palmer, about English composer Henry Purcell. That same year, Gardiner, the EBS, and Monteverdi Choir issued a multi-disc set on the label Erato devoted to Purcell's music.

The touring schedule of the EBS has been one of the busiest of any orchestra's. In 2002, for example, it included performances of Weber's Oberon in Paris and London; of 16th and 17th century church music in numerous cities throughout the U.K.; Bach cantatas in Utrecht, Köthen, and Wiesbaden; and numerous other performances in Brussels, Zurich, Baden-Baden, Vienna, Turin, and Athens. Since 2004, the ensemble has recorded on Gardiner's label, Soli Deo Gloria.