Aram Ilyich Khachaturian

Aram Ilyich Khachaturian

Composer • Conductor

• 1903 1978

Editor's Choice

Born in Georgia to Armenian parents, Aram Khachaturian is celebrated as one of the Soviet Union's pre-eminent composers. Premiered in Moscow in 1940, his magnificent violin concerto was composed for the renowned Odessa-born David Oistrakh. Inspired by Armenian folk traditions, the work alternates between frenzied dance passages and languorous lyrical melodies. Serbian violinist Nemanja Radulovic makes light work of the concerto's technical demands, opening an album that honours Khachaturian's cosmopolitan background by showcasing the musical cultures surrounding the Black Sea. 'Baïka' is Serbian for 'fairytale', and Radulovic's alluring selection of music certainly entices the listener to embark on a flight of fancy. His fellow Serbian Aleksandar Sedlar arranged Rimsky-Korsakov's other-worldly Shcheherezade for violin, piano and string orchestra for this recording. Painting a picture of a mythologised West Asia, this timeless work references stories and characters from some of the region's most famous folk tales. The album's next work - Khachaturian's 1932 trio for clarinet, violin and piano - was a student composition. Its gipsy influenced tunes provide a fitting transition to two contemporary pieces, composed by Sedlar. These riotous fusions of folk and classical styles perfectly conclude a musical journey around the fascinating area where Europe and Asia meet.


Although he was indicted (along with Shostakovich, Prokofiev, and a number of other prominent Soviet musicians) for "formalism," in the infamous Zhdanov decree of 1948, Aram Khachaturian was, for most of his long career, one of the Soviet musical establishment's most prized representatives. Born into an Armenian family, in Tbilisi, in 1903, Khachaturian's musical identity formed slowly, and, although a tuba player in his school band and a self-taught pianist, he wanted to be a biologist, and did not study music formally until entering Moscow's Gnesin Music Academy (as a cellist) in 1922. His considerable musical talents soon manifested themselves, and by 1925 he was studying composition privately with Gnesin himself. In 1929, Khachaturian joined Miaskovsky's composition class at the Moscow Conservatory. Khachaturian graduated in 1934, and before the completion, in 1937, of his postgraduate studies, the successful premieres of such works as the Symphony No. 2 in A Minor "With a Bell" (1935) and, especially, the Piano Concerto in D flat Major (1936) established Khachaturian as the leading Soviet composer of his generation. During the vicious government-sponsored attacks, in 1948, on the Soviet Composers' Union (in which Khachaturian, an active member since 1937, also held an administrative function) Khachaturian took a great deal of criticism. However, although he was officially censured for employing modernistic, politically incorrect musical techniques which fostered an "anti-people art," Khachaturian's music contained few, if any, of the objectionable traits found in the music of some of his more adventuresome colleagues. In retrospect, it was most likely Khachaturian's administrative role in the Union, perceived by the government as a bastion of politically incorrect music, and not his music as such, which earned him a place on the black list of 1948. Nevertheless, Khachaturian made a very full and humble apology for his artistic "errors" following the Zhdanov decree; his musical style, however, underwent no changes. Khachaturian joined the composition faculty of the Moscow Conservatory and the Gnesin Academy in 1950, and that same year he made his debut as a conductor. During the years until his death in 1978 Khachaturian made frequent European conducting appearances, and in January of 1968 he made a culturally significant trip to Washington, D.C., conducting the National Symphony Orchestra in a program of his own works. Khachaturian's characteristic musical style draws on the melodic and rhythmic vitality of Armenian folk music. Although not adverse to sharp dissonance, Khachaturian never strayed from a basically diatonic musical language. The Piano Concerto and the Violin Concerto in D Minor are truly Romantic works, virtuosic, clear, and unaffectedly expressive, remaining therefore popular and frequently performed composition. Of course, many neither of these works matches the popularity of the famous "Sabre Dance" from the ballet Gayane, which made Khachaturian a household name during World War II. His other works include film scores, songs, piano pieces, and chamber music. The degree of Khachaturian's success as a Soviet composer can be measured by his many honors, which include the 1941 Lenin Prize, for the Violin Concerto, the 1959 Stalin Prize, for the ballet Spartacus, and the title, awarded in 1954, of People's Artist.