Alisa Weilerstein

Alisa Weilerstein


• Born 1982

Editor's Choice

Alisa Weilerstein's multiple-award-winning 2013 album is full of treats, and her thoughtful, sonorous interpretation of Kol Nidrei is worth an award all of its own. Weilerstein is known for her interest in Jewish music, but Bruch had almost no previous connection with Judaism before composing the work in 1880. It seems unlikely that a Protestant musician from Cologne would produce one of the most popular pieces of secular Jewish music while working in Liverpool. However, after meeting Berlin's cantor-in-chief Bruch became interested in Hebrew folk melodies and was inspired by two traditional tunes to compose 'Kol Nidrei'. The main events of this disc, though, are two concertos that show two very different sides of 20th Century cello music. Written roughly 80 years apart, Carter and Elgar's concertos' beginnings couldn't have been more different. Carter's seven-movement work was commissioned by the Chicago Symphony Orchestra for Yo-Yo Ma in 2000, and plenty of careful work and planning went into its premiere. In contrast, Elgar's four-movement concerto was the culmination of almost 20 years of thoughts and intentions and premiered unsuccessfully in October 1919. Although his soloist was distinguished and capable, Elgar's new work was under-rehearsed - owing to the conductor's preference for focusing on his own compositions elsewhere in the programme - and it wasn't performed in public again for over a year.


Cellist Alisa Weilerstein has appeared with leading orchestras all over the U.S. and Europe and has played chamber music with her parents, both well-known performers, in the Weilerstein Trio. Her repertory is wide but has been marked by a focus on contemporary music.

Weilerstein was born in Rochester, New York, on April 14, 1982. Her parents are Donald Weilerstein, first violinist of the Cleveland Quartet, and pianist Vivian Hornik Weilerstein; violinist and conductor Joshua Weilerstein is her brother. At age two and a half, Weilerstein contracted chickenpox. As she recuperated, her mother created a makeshift cello from a Rice Krispies box. Alisa was delighted but frustrated that the instrument could not produce musical notes, and she demanded a real cello. At four, she received one, and within six months, she was performing in public. Weilerstein performed Tchaikovsky's Variations on a Rococo Theme, Op. 33, with the Cleveland Orchestra. Two years later, she performed with the New York Youth Symphony. Weilerstein attended Columbia University, majoring in Russian history and graduating in 2004. Her career was propelled by several major awards and grants, including the Leonard Bernstein Prize at the Schleswig-Holstein Music Festival in 2006, and, most important, a MacArthur Foundation Fellowship, popularly known as a "genius grant," in 2011. She used some of the proceeds of the latter to develop relationships with living composers. She has not just championed contemporary music but has premiered multiple pieces by such composers as Osvaldo Golijov and Lera Auerbach. Weilerstein has also played the difficult Cello Concerto of Elliott Carter, selecting that work for her first recording in 2012. In traditional repertory, she has appeared as a concerto soloist with numerous major orchestras around the U.S. and Europe, including such Central European stalwarts as the Berlin Philharmonic, the Staatskapelle Berlin, and the Czech Philharmonic, with which she toured the U.S.. as a soloist in Dvořák's Cello Concerto in B minor, Op. 104. In 2018, she began a multi-year engagement as Artistic Partner to Norway's innovative Trondheim Soloists.

Weilerstein made her debut in 2000 as an 18-year-old prodigy with the album Alisa Weilerstein, Cello. She recorded for Decca from 2012 to 2016, and then for PentaTone Classics. On that label, she released the album Bach, featuring that composer's six suites for solo cello, in 2020. A sufferer from type 1 diabetes, Weilerstein has served as a celebrity spokesperson for the Juvenile Diabetes Research Foundation.